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Persecuted
Peoples:
The Media’s
Role in the Oppression of Signs-Following Believers
Shannon Bell
The church members of the Jolo Church of the Lord Jesus come from
a long line of oppression and discrimination at the hands of outsiders.
The people who “discovered” Appalachia in the earlier part of the
twentieth century depicted this land and its people with “an ‘otherness’
which placed the region in radical opposition to middle class America.”
Widespread writings about these “different” and “strange” people
flourished. Arnold Toynbee wrote in 1947 that
The modern Appalachian has…failed to
hold his ground and has gone downhill in a most disconcerting fashion.
In fact, the Appalachian “mountain people” today are no better than
barbarians. They have relapsed into illiteracy and witchcraft. They
suffer from poverty, squalor, and ill-health. They are the American
counterparts of the latter-day White barbarians of the Old-Fifis,
Albanians, Kurds, Pathans and Hairy Ainus; but, whereas, these latter
are belated survivals of an ancient barbarism, the Appalachians present
the melancholy spectacle of a people who have acquired civilization and
then lost it (Toynbee, 1947).
The many
accounts like this one made the Appalachians seem less than human, so
the fast-talking city man was “justified” in tricking the “mountain
barbarians” out of their land and valuable resources.
Descriptions like Toynbee’s have not been easily lived down by native
Appalachians. Especially in the 60s and 70s, when the “War on Poverty”
hit Appalachia full force, the media’s descriptions of the mountain
people were not very flattering. These individuals were almost always
described as poor, uneducated hillbillies who were violent by nature and
suspicious of outsiders. For many years, Appalachians have been trying
to recover from this negative view and, as a result, are extremely
sensitive to the ways in which their culture is portrayed to mainstream
America. It is for this reason that I believe many have discounted and
disowned the Pentecostal Signs Followers as a part of their Appalachian
culture.
The
Pentecostal Signs Followers have not only suffered severe oppression at
the hands of outsiders along with the rest of Appalachia; they have also
had to suffer prejudice and discrimination from members of their own
culture over the past twenty years. I believe that this particular form
of prejudice and discrimination is one that is born out of anger at the
negative way in which Appalachians have been portrayed to the American
culture and the perpetuation of those stereotypes through the
sensational media coverage of the Signs Following churches. Many in
“mainstream Appalachia” are extremely sensitive to association of
“serpent handling” with their culture. Take, for instance, this
response, which is only one of many that photographer Chuck Conner and I
have received over the past two years since we posted a description of
our project (the documentation of the Signs-Following Church of the
Lord Jesus) on the web:
The
prejudice that many Appalachians feel toward the Signs Followers is
oftentimes manifested through discrimination, which is the behavioral
result of the attitude of prejudice. Many individuals within the
Church of the Lord Jesus have suffered discrimination in the
workplace and in public. For instance, Richard Evans, a member of the
Jolo church and a coal miner by trade, was bitten by a rattlesnake in a
worship service a few years ago. When he called in sick to work for the
bite, he was fired from his job as soon as they discovered the cause for
his sick leave. Furthermore, church members tell me that on numerous
occasions they have been called names to their faces or behind their
backs by various people in the nearby communities. Brother Clifton
Hampton stated in an interview, “This is a persecuted way wherever we
walk. We’re considered less than the rest of the churches, and all we do
is obey the Word of God.”
Some of
the manifestations of prejudice that the Signs Followers have
experienced are actually “hate crimes” by definition. The family of one
church member, Jeff Hagerman, was extremely angry that he joined the
faith and actually came into the church on multiple occasions to
terrorize the congregation. They seized a total of fifteen poisonous
snakes on two different instances and killed them, while threatening the
congregation members with canes. Reverend Bob Elkins has been with the
church for over fifty years and has suffered a great deal at the hands
of persecutors. He states, “I’ve been whipped, I’ve been drug across the
floor by the hair on my head. I still won’t change. I’ve been arrested.
But I’ve got a payday coming. The prize is at the end of the race. I
just have to count it all as joy because if you make it, it’s worth it.”
Not only
have the Signs Followers suffered persecution and discrimination from
individual citizens, but they are also discriminated against by the law;
they have had their religious freedom taken from them. In every state
but West Virginia, it is illegal to handle serpents in religious
services. This poses a serious problem for believers: they perceive the
handling of serpents to be a command from God, not a choice. Because of
this belief, there have been numerous occasions in which church members
have been arrested.
The media
as a whole has not done Appalachia justice. While King Coal has
oppressed an entire culture economically, the media has been the
perpetrator of a type of spiritual oppression. Instead of focusing on
the positive aspects of the Appalachian culture, like the hospitality,
caring nature, individuality, creativity, and deep spirituality of the
mountain people, the national media has, for the most part, focused on
the “isolation,” “backwardness,” and “poverty.” If the media had not
tainted mainstream America’s potential for seeing the beauty and spirit
of this wonderful culture and if the Signs Followers had been more
truthfully depicted in the media as the loving, kind, and deeply
faithful Christians that they are, Appalachians might not be so quick to
“disown” this beautiful and unique part of their culture.
©
Shannon Bell, 2002
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